The waiting game II

"Txema Salvans’s previous series was also about life in the gaps and at the edges. It showed lone women, probably prostitutes, sitting or standing in very similar landscapes to the ones you see here.
In this book the figures are by water. In the previous book, they are by roads. All are waiting and, in a sense, all are fishing. (It is no coincidence that a slang term for a prostitute is a ‘hooker’).
Photography may be a matter of cold optics and geometry, but it is also invites connection and empathy. Finding the balance is not easy. It is tempting to use the camera merely to objectify and beautify. It is also tempting to use it in a way that pretends to reveal the inner lives of those who are photographed. Salvans resists both. He places himself, and us, on the cusp of beauty and ugliness, knowledge and ignorance, waiting for something else."

Hardcover, 88 pages.
Dimensions: 33.5cm X 25cm
Text from David Campany, Gabi Martínez

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Price for Spain: 45.00€*

Price for rest of the world: 60.00€*

* Price icludes taxes and shipping

The waiting game I

The Waiting Game gathers a series of photographs taken by Txema Salvans in the course of six years along the Mediterranean coastline of Spain. It forms a striking tableau of necessity and desire, with concept and visual expression fitting perfectly together. The essence of the work is an exploration of the varied and often surprising gamut of human longings and behaviors.
Txema photographed the exercise of prostitution along the roads and highways in its actual context: the intersections and roundabouts, the dead-end street of the polygons, the shoulders of the road. Marginal places that provide the setting for an activity as over-exposed as prostitution.

Price: 150.00€*

Price icludes taxes and shipping to Europe

My Kingdom

My Kingdom by Catalan photographer Txema Salvans might bring together photographs of Spaniards enjoying the Mediterranean coast but it is not a book about soaking up the sun. Instead, Salvans cuts through the heat, offering a wry perspective on the political climate and ongoing discussions about nationhood in his home country. His book splices together black-and-white photographs of ordinary citizens enjoying the Mediterranean coast with words lifted from the annual Christmas speeches by the former King of Spain, Juan Carlos I (1975– 2015). In this subversive combination of image and text, the language acts like a socio-political filter, through which we see the gestures of the beach-goers parading their own small sovereignties: the freedom to nap, fish, picnic and play – against a backdrop of holiday condominiums, car parks, cranes and power stations.

Bringing together pomp and bathos, the book also includes an insert of extracts of speeches by infamous leaders including Benito Mussolini, Emperor Hirohito and Winston Churchill (as well as Charlie Chaplin), all proclaiming – seriously or irreverently – the authoritarian power of the state over people. My Kingdom underlines how leaders (whether they be, democratic, autocratic or monarchical) have routinely used nationalistic rhetoric to seduce their people, and as a fundamental mechanism of state control.

OTA bound paperback with silkscreen printed cover and flaps. With stapled booklet and postcard
176 pages, 65 tritone plates

17.5 x 23 cm

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Price for Spain: 35.00€*

Price for Europe: 40.00€*

* Price icludes taxes and shipping

My Kindom "Tuning-GTI" Edition

Price for Spain: 75.00€*

Price for Europe: 80.00€*

* Price icludes taxes and shipping

Nice to meet you

Direct, intimate, and sincere, these photographs by Txema Salvans gather “the best things in life” through the unique perspective of his lens. A brief text by journalist Guillem Martínez introduces each group, as a loose guide for each scene, leaving sufficient room for the spectator to draw his own conclusions. Though the photographer does not explicitly appear in his photographs, his presence is felt through his subject matter. His photos capture diverse groups of people from all over Spain. These photos of families, friends, and even strangers, are transformed into a kind of family portrait.